Tag Archives: writing

Room

And what is a happy story anyway?

The Purgatory story is the one people suffer through. It talks back.

The beautiful story is one sentence,

makes you cry or put down the book,

or go buy a candle to light and say thank you.

Who is that beautiful woman in Purgatory? I knew her when.

She is thinking about the skin of his arm at her cheek

as she exhales and is not afraid at this moment.

She gives him everything.

There is another room in Purgatory where she is alone

with what she has done and he is nowhere to be seen.

She was born to lift heavy things.

She lifts her arm to flex and kiss the muscle that keeps

her turning over the rocks where all that stuff is alive.

It is not pretty but it is fascinating

and she may yet find the sentence that is beautiful.

A willing horse

Willing horse

I am playing at the piano and as I explore,
fingers of both right and left hands moving on the keys,
each note and chord is beautiful.
A childhood schoolmate is in the kitchen
and the question of what I have accomplished comes up.
She is affiliated with banking,
which would please my father, and I say to myself.
“I have written something I am proud of.”
Not comparing.
I am pleased, satisfied.
Then, of course, I am going down the street and realize I am naked.

Maybe there are no clothes for writers
and playing music gets you out the door.

In the morning a CBC Q interview, Tom Power with Alanis Morissette:
A song comes from and for the person writing it.
Once it is out there, it belongs to everyone.
Use it for yourself.

I think about being carried,
that some art is like a willing horse carrying when needed
and dreams are like that too.

The mouse from the mouth

Through the Spirit

I remove the mouse I have held in my mouth,
(I think I cut the cord)
birth of the small animal of introspection into the world,
where, you know, there is no controlling where it will go.
It’s a beginning
of saying what I see as true,
without oppressing.
Fancy balancing act.

Social media can be the halls of high school.
Careful, careful.
Defence of identity is all around.
Words are not the same as actions,
but thinking them
and saying them
and writing them
are actions.


What is liberal?
What is conservative?
Is liberal giving voice to the other,
the uncomfortable flamboyant,
or the meek struggler?
Is conservative one who proclaims certainty
while rejecting contradictory data,
defends the family
while giving some members more power and value than others?
Is liberal fiscal responsibility?
Is conservative fiscal responsibility?
Is liberal permissiveness and fear of being called regressive?
Is conservative punitive, sadistic policy?
Is liberal keeping things the same while pretending to change?
Is conservative keeping things the same while enriching only some?
Is liberal exploring new systems?
Is conservative denying the need for new systems?
Is liberal coming to the aid using government systems?
Is conservative saying aid should be given
only through private and community systems?

And liberal and conservative in politics are not the same
as the words on their own.
They are modes of thinking.
They are modes of acting.
They are useful in the timing of their acting.

What people mean when they say these words
needs to be clarified
for any sense to be made,
for acts of unity to be supported,
for reconciliation of past misunderstandings,
for sustainable community,
for deliverance from manipulation
by those who wield the words
to separate us with fear.

a child pointing to vulnerable flesh that thought it was invincible

 

Primula

I have not dreamed this flower.
It just is.
In the midst of pandemic compliance
we are still part of spring in the north,
or autumn in the south.

As I near grandmotherhood for a second time, I continue exploring my legacy.
My father used to say there were a lot of people walking around Toronto
with the ass out of their pants because they didn’t get the trump out.

One day, aged, he woke from a nap in a wistful state and spoke of his dream:
a little sow in heat that he is leading on a string.
He walks it to the market downtown but just can’t do it, can’t enter that space.

He is speaking in an Irish accent with a softness and a fondness I have never seen.
I research the original occupant of our old house:
a butcher from County Tyrone, once the town’s mayor.
I find old pictures of the downtown Square
where there used to be a market on the grounds,
long before my father’s days here.
Carriages, fences, long dresses.

My hurry up legacy is the message that violence is so expensive.

Right now the sundering at birth is not so much moving from breathing water to air
as entering a world where one is made to chose between the mother and the father.
Moment one, and even before, the beliefs of our ancestors and their ancestors fill us.
Ancient systems made people things.
Boy children were made things that would own things.
Children and women were made things to be owned.
Men as things were made to trade people as things, made to corral allies,
made to make families tribes of deals made and broken,
empires of loyalty and enslavement.

The first breaths are of the air filled with the idea of people as things.
The first breaths are filled with the fallacy that one must chose love for the mother
or love for the father,
fallacy because it is not love in either case when people are treated as things.
This is the sundering, the system of the false bottom choice.

We are all born in the middle of the story of things.
This story keeps us blind to the story.
The heart of the child knows there is a false bottom story,
but needs others who will get to the bottom
to be freed from the empire of things.
The emperor has no clothes,
and the energy of the people goes either into trying so hard
to believe his clothes are as fine as he says,
or into trying to find others who, like the child,
will say he is naked and foolish.

A house of cards.
The world turned into a game of cards.
Getting the trump out is only playing the game.
Taking the little sow to market is part of waking up in the middle of a story
and not recognizing the ancestors’ voices.
The stories fill the air of birthing rooms.
To heal the wound from belief that we are things,
we need to see we are the ancestors telling stories.
The new story needs to serve the child, not the empire.

The first flower flowers in the north or south at its season.
It just is being itself.
This writing is more than a trump card.
It is a quiet trumpet like the opening of a primula in tune with the coming of a child.
It is a child pointing to vulnerable flesh that thought it was invincible,
that thought it was separate from nature and was a thing,
but is a being.

Those Thieves Who Wake Me Up

Rather than being overwhelmed by the number of writers writing their hearts out
I could join them in this hang gliding,
this trench digging,
this tree trimming.

Rather than be jealous, or fearful, which are the same thing, like fraternal twins,
I could pull together these years of punctuation like flotsam on the river in spring breakup:
Ice flows are temporary and edited by seasonal heat
and riverbanks
and each other
and the lake at the mouth churning milky, milky brown.

This trimming happens at night, too,
when I dream of desperate lads stealing my hard drive
and wake up remembering I have an external back up.
Maybe the back up is the love of others for the punctuation and other signs of life.
Back up is remember.
Love does remember me.

My heart is climbing to my throat.
The green place in my throat where my voice purrs quietly waiting
is married to the green place in all the other throats.

The spring heat is present at night when it is still cold but not freezing.

I love those thieves who wake me up to what I forgot I had.